Activity sits down

Future is here

Process in ling in the space

Rules is claping

 

 

Enemy is behind sadness

Humanities is giving rithem to rules

Wisteling by sadness

Process is smiling

NegotioaTION GIVING HANDS TO POWER

Humour is slipping

Sadness kissing humour

Rules enter the room

 

 

 

 

 

 

 

 

 

 

 

 

Time is joing proces. Joy doesn’t seem welcome. Sadnes is questioning her.

Time is very close to process.
Power enters. More power for sadness.
Power is opening the space or better changes it. Sadness is ill and rules and history help.

Fiction is standing in the corner.

 


Rules is kissing fiction.


Chaos is entering the scene.


Humour, fiction and power are looking for rules.


Fiction can speak again.
Tobacco is entering the scene and is left there by rules.
Time is jumping in a circle of power, humor and fiction.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Possibility announces that fiction will describe a performance possibility will enact.

 

 

 

 

 

 

 

 


Negotiation enters the stage to limit the overbording events on stage, trying to organize a structure.
Leaving on stage: architecture, the new enemy, flow, possibilities, it´s a little hard to keep an overview...

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Process keeps on tearing papers to pieces and throwing them on the floor.
The negotiation suggest that everybody now does what he wanted to do or not.
Innocence wants to know why history wants to document everything.
History takes a break.

 

 

 

 

 

 

 


Chaos and problem seem to be friends, paradise is very close to them.
Freedom is taking a break and relaxing.
Problem is approaching history.
History has problems saving the document.
Now it works.
Game over.
What now?
LUNCH!!!!!
But it´s not 1:30 yet...
Bea says goodbye to everyone and thanks us for being such a great group.
Clapping.
People say goodbye to Bea.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Process also starts documenting, what am I doing here???

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Game over now. Finally.
The end.

 

History is here

Future is ling on the floor

I’m very sad
I<#m very sad
I<#m very sad
I#m very sad
I’M very sad

Humour was thinking
Humour observed architecture manipulating rules
Rules is making an entry point as well as framing the space where the entry should happen

Chaos is trying to documnt
Rules plays around
History will assist chaos documentating
Process is two in one.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Chaos is crawling underneath power

.
Rules and negotiaton do a expressive dance together.
Humor and joy sit on rules and try to fix him to the floor.


Humor and joy are surfing on rules, use him as a vehicle.
Enemy (be)came here and enters the scene on a chair.
Joy has left the building, the future disappears.
A bit of activity is showing up on stage.

 

 

 

 

 

 


Futere becomes freedom and leaves the stage.
Power transforms to a new shape: possibilities.
Freedom and possibilities are happy together and with their new identities.
Chaos enters the stage and changes the borders by writing on them.
Negotiation is calling the rules back to mind.
Architecture brings a shape to history.
Possibilities is taking of the meaning of rules, the rules are gone and framed by architecture.
Sadness is entering the frame and helps the rules to activate themselves.
The rules have changed into a problem.
Sadness is framing the documentation, humor takes over the frame.
Time is in the frame (great!)

 

 

 

 

 

 

 

 

 

 

 

 

 


Humor is doing the storytelling, by the way.
Possibility is struggling with two other people, negotiagion intervenes to keep it from becoming violent. Possibility suggests, that negotiation shouldn´t worry about this but go with the flow.
Humanity turns to acceptance.
Architecture blindfolds paradise.
Problem hangs on paradise, then falls down.

 

 

 

 

 

Fiction and possibility take the blindfold off from paradise, they pose for a group picture, freedom is joining them.
Interruption doensnt wantfotographs to be taken.
Interruption closes the eyes of history, histroy is writing anywaysj.
Interruption (who used to be negotiation before) now turns also into acceptance and capacity and authority.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Some people crap their identities, others leave it, Paz adds a blanc identity card to her pants – no, it´s not staying blanc, she turns into ???
History is annoyed by not being able to change her point of view because of technical devices. Maybe someone can tell her?

 

 

 

 

 

 

 

 

 

 

 

 

Now she sees: Paz turned into crisis.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Alright, activity tells history, that it´s time to leave the computer, architecture wants to do some more documentation (isn´t that the role of history?), so history keeps on writing.

 

.................................

 

Activity sits down

Future is here

Process in ling in the space

Rules is claping

Enemy is behind sadness

Humanities is giving rithem to rules

Wisteling by sadness

Process is smiling

NegotioaTION GIVING HANDS TO POWER

Humour is slipping

Sadness kissing humour

Rules enter the room

History is here

Future is ling on the floor

 

I’m very sad
I<#m very sad
I<#m very sad
I#m very sad
I’M very sad

Humour was thinking
Humour observed architecture manipulating rules
Rules is making an entry point as well as framing the space where the entry should happen

Chaos is trying to documnt
Rules plays around
History will assist chaos documentating
Process is two in one.

Time is joing proces. Joy doesn’t seem welcome. Sadnes is questioning her. Time is very close to process.
Power enters. More power for sadness.
Power is opening the space or better changes it. Sadness is ill and rules and history help.

Fiction is standing in the corner.
Rules is kissing fiction.
Chaos is entering the scene.
Humour, fiction and power are looking for rules.
Fiction can speak again.
Tobacco is entering the scene and is left there by rules.
Time is jumping in a circle of power, humor and fiction.
Chaos is crawling underneath power.
Rules and negotiaton do a expressive dance together.
Humor and joy sit on rules and try to fix him to the floor.
Humor and joy are surfing on rules, use him as a vehicle.
Enemy (be)came here and enters the scene on a chair.
Joy has left the building, the future disappears.
A bit of activity is showing up on stage.
Futere becomes freedom and leaves the stage.
Power transforms to a new shape: possibilities.
Freedom and possibilities are happy together and with their new identities.
Chaos enters the stage and changes the borders by writing on them.
Negotiation is calling the rules back to mind.
Architecture brings a shape to history.
Possibilities is taking of the meaning of rules, the rules are gone and framed by architecture.
Sadness is entering the frame and helps the rules to activate themselves.
The rules have changed into a problem.
Sadness is framing the documentation, humor takes over the frame.
Time is in the frame (great!)
Possibility announces that fiction will describe a performance possibility will enact.
Negotiation enters the stage to limit the overbording events on stage, trying to organize a structure.
Leaving on stage: architecture, the new enemy, flow, possibilities, it´s a little hard to keep an overview...
Humor is doing the storytelling, by the way.
Possibility is struggling with two other people, negotiagion intervenes to keep it from becoming violent. Possibility suggests, that negotiation shouldn´t worry about this but go with the flow.
Humanity turns to acceptance.
Architecture blindfolds paradise.
Problem hangs on paradise, then falls down.
Fiction and possibility take the blindfold off from paradise, they pose for a group picture, freedom is joining them.
Interruption doensnt wantfotographs to be taken.
Interruption closes the eyes of history, histroy is writing anywaysj.
Interruption (who used to be negotiation before) now turns also into acceptance and capacity and authority.
Process keeps on tearing papers to pieces and throwing them on the floor.
The negotiation suggest that everybody now does what he wanted to do or not.
Innocence wants to know why history wants to document everything.
History takes a break.
Chaos and problem seem to be friends, paradise is very close to them.
Freedom is taking a break and relaxing.
Problem is approaching history.
History has problems saving the document.
Now it works.
Game over.
What now?
LUNCH!!!!!
But it´s not 1:30 yet...
Bea says goodbye to everyone and thanks us for being such a great group.
Clapping.
People say goodbye to Bea.
Some people crap their identities, others leave it, Paz adds a blanc identity card to her pants – no, it´s not staying blanc, she turns into ???
History is annoyed by not being able to change her point of view because of technical devices. Maybe someone can tell her?
Now she sees: Paz turned into crisis.
Alright, activity tells history, that it´s time to leave the computer, architecture wants to do some more documentation (isn´t that the role of history?), so history keeps on writing.
Process also starts documenting, what am I doing here???
Game over now. Finally.
The end.

 

 

Lucie Eidenbenz / Valeria Graziano / Joa Hug / Andrea Maurer / Eva Meran / Guillem Mont de Palol / Esther Muschol Tor Navjord / Aleksandra Pavlovic / Luise Reitstätter / Franziska Roehlig / Paz Rojo / Kathrin Schaefer / Daphna Weinstein David von Westphalen / Manuela Zechner / Susana Velasco / Rafael Sánchez-Mateos Paniagua